My original text 
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I discovered the Neil
YOUNG's world by ARC. By his side of the most skinned which is, so painful
that to cover with skin this bare flesh would be to do an act of
torture. The artist attracted the electricity fairy to a crowned
ball. He rigs her out with some unusual outfits, uneven, sheer.
And he's subjugating her for 40 minutes in a tormented dance. Such
an artist can only draw me with sympathy and curiosity. It was in 1993. Then I reviewed all his discography, noted the
extent of his domain, of his talent. The refusal of the styles,
of the vain sound, the melodies which are not easy, always not oiled
notes, all that make a vibration which is necessary and pleasant
for me like our small oxygenated and iodized air. Neil endorses with brilliance the acoustic and
the electric sets. Neil is lost and found in the nebulous
meanders of the creation, and we are witness and we go with him,
this soul witch is in despearing, this soul in construction. Before that, I had listened to "Woodstock",
"Harvest" or "Comes A Time". It was at
their release and I was still quite young but that did not prevent
me to appreciate him already. I never saw a show with him and I await Bercy
with impatience. A second date would not have displeased to me.
Six dates in Germany, five in GB, France with a single date
makes small European country for this tour 2001. Nearer to
my 50 than of my 20 years, I live in Brittany and listening this
country-music also. I would like to find among ordinary people what
to share the sympathy which I carry for Neil Young. SYL Denis Between The Rusty Words (05-13-2001) Rock and roll can never die. |
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« The one thing about
the net : to avoid to put some too private contents. » I will avoid of saying my age (62 years), that
I am held and dye my hair, that I am rusty in the life. Denis Between tears & children |
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My original text |
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Membership Number of "Neil Young Appreciation Society" : 5849 |
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